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最后的舞女
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最后的舞女

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    重返邪堡镇
    Mr. Hexenmeister has escaped from prison, and once again threatens Wickensburg. It's a race against time to find an ancient orb, capable of destroying the entire town, before it falls into the wrong hands.
    黑煞女
    Panor是个年轻的处女生活在一个偏远的村庄中，只因为在她出生的那天村里有人举行了一场黑魔法的仪式，导致所有人都瞧不起她，认为她是不祥之兆，任何靠近她的人都会遭受诅咒。
    九叔之钟馗归来
    民国时期，兴乌镇中医九叔在钱家祭祖时，钱小姐被勒死。九叔发现凶手留下钟馗玉佩，怀疑与钱老爷有仇。凶手再次行凶，九叔与警察队长梁连生暗中追查。最终发现凶手是丁牧，他为祭奠自缢的弟弟丁远而杀人。丁牧伏法，九叔救出被劫的钱巧云，小镇恢复平静。
    乐咒
    亨、迪恩、乔巴和凯恩这四个最好的朋友在迪恩母亲的葬礼上再次相遇。他们自愿留在迪恩（迪恩）独自留在大城府的家里，并帮助迪恩处理他的东西，因为迪恩打算卖掉房子。他们一踏入古屋，奇怪的现象就开始出现，尤其是在他不小心将祭祀马诺拉舞者的查达戴在头上之后。舞者的灵魂不停地追随他。
    阳光照耀青春里
    年轻有才的程序员何立为（肖央 饰）供职于家园软件公司，并独自开发了一款游戏。他的偏执和作为扰乱了公司的融资计划，被公司送进了“青春里”精神康复院。
    回声谷
    讲述女子凯特·加勒特因个人悲剧而摇摇欲坠，她在与世隔绝、风景如画的回声谷农场寄宿并训练马匹。一天深夜，她任性不羁的女儿克莱尔出现在家门口，惊恐颤抖、身上沾满了别人的血。一个母亲为了救她的孩子要付出多少？
    值得的等待
    繁忙的西雅圖，多組男女的人生在一連串巧合下交會。英挺的律師搭車出差，車上意外擠進一對急奔醫院臨盆的夫妻，忙亂下律師出手相助，也和護理師一見鍾情。但急診門內，命運卻捉弄了那對新手爸媽。和熱門導演分手多年的女明星，兩人在新片開拍記者會上尷尬重逢。愛直播惡搞的少年，在女友的鐵漢叔叔眼中始終不及格。成長的挑戰、公眾形象與私生活的張力，甚至婚姻的掙扎，都不免伴隨遺憾失落。然而人生關卡前，他們該決心割捨，或者篤信前方值得的等待？ 　　導演林書宇生涯首部英語電影，更有《美國女孩》林嘉欣赴美與《玩命關頭》姜成鎬等多位好萊塢一線亞裔演員合作，打造美式浪漫喜劇，以多線敘事勾勒當代生活的機遇與期待，情節中亦融入許多亞裔家庭生活經驗，譜下歌頌夢想與愛情的勵志生命樂章。
    幽灵陷阱
    暂无简介
    以早乙女香夏子为例
    本片改编自柚木麻子的原作小说《早稻女、女、男》，讲述了主人公早乙女香夏子，因为过于男性化的自我意识而无法坦率地撒娇，但实际上比任何人都纯粹笨拙。故事以她与演剧社团的前辈长津田长达10年的恋爱为中心，描绘了她们和周围的人们在东奔西窜的同时，各自重新审视自我的模样。面对理想与现实，香夏子将如何找到自己的方向？
    我俩的时代
    诺拉和埃克托夫妻俩在科学上的突破使他们从1966 年穿越到2025 年。埃克托难以适应，诺拉却如鱼得水— 但要付出什么代价？
    野性钻石
    19 岁的 Liane 勇敢而热情，与母亲和妹妹一起生活在法国南部弗雷瑞斯尘土飞扬的阳光下。 她痴迷于美丽和成为“某人”的需要，将真人秀视为她被爱的机会……当她试镜“奇迹岛”时，命运向她微笑。
    零点
    2001年议会袭击事件发生后，BSF官员Dubey领导了为期2年的调查，揭露了主谋Ghazi Baba，从而促成了印度最大的反恐行动。
    土星回归
    It’s the late 1990s, and Granada indie music group Los Planetas is about to record their third album. But with the band in turmoil, they find themselves on the brink of success…or total destruction. Can they come together against all odds or collapse in a ball of fire?
    风水轮流转
    埃里克·拉鲁
    Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. 　　Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
    沙发上的母亲
    Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. 　　Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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